Last week I went to the Watersong Peace Chamber in Saxapahaw, North Carolina. This was my second visit. I first heard about the Native American visionary and holy man, Joseph Rael, and creator of the Sound Peace Chambers, over 20 years ago…
Read moreSound Therapy at Women & Infants Hospital
A while back I was contacted by the Marketing Director of Women & Infants Hospital saying she would like to do an article on the sound therapy being offered at the hospital. I suggested that the best way for her to understand it would be for her to experience it for herself, so we set up a Sound Journey for a group of patients and staff at the hospital. This is the article that was inspired by that event.
Not long after that, the Providence Journal contacted me through the Integrative Care Program at the hospital. They were also interested in doing an article so I performed another Sound Journey there about two weeks ago, which was not only photographed but videotaped as well! I am told it will run on Sunday, January 17, 2016 in the "Thrive" section of the paper- there should also be some footage online.
So this is all very exciting!
Sound Therapy at Women & Infants Hospital
by Susan McDonald
Anyone interested in
group or individual sound therapy sessions through the Integrative Care
Program at Women & Infants, integrative therapies are offered in
Providence, Middletown, and South County, RI, and
Fall River, MA. For appointments in Providence, call (401) 274-1122, ext. 7143; in South County or Middletown, call (401) 846-0042; or in Fall River, call (508) 235-3500.
Not long after that, the Providence Journal contacted me through the Integrative Care Program at the hospital. They were also interested in doing an article so I performed another Sound Journey there about two weeks ago, which was not only photographed but videotaped as well! I am told it will run on Sunday, January 17, 2016 in the "Thrive" section of the paper- there should also be some footage online.
So this is all very exciting!
Sound Therapy at Women & Infants Hospital
by Susan McDonald
Women & Infants offers sound therapy for cancer patients and survivors
In a dimly lit room,
lying on yoga mats with pillows and blankets for comfort, a handful of
women were listening. So were their bodies.
Eyes closed, the
sounds flowed over them – the deep tone of the Aboriginal didgeridoo
wind instrument; the sonic reverberations of the Tibetan singing bowls;
the whistling of air passing over the two reeds
in the drone flute; the aquatic sounds of fingers rubbed along the top
of the dolphin bowl.
This day in the
Integrative Care Center at the Program in Women’s Oncology,
the sounds were the therapy, offering a unique feeling of wellness to
the women, all of whom have battled, or continue to battle, cancer.
“I thought I was
relaxed at one point, then another part of my body would go down,” says
Dori Gerhardt of North Kingstown after the session.
That was music to Rosie Warburton’s ears.
“When
you feel the sound resonate in your body, it’s definitely having an
effect. When the frequency of the bowl is the same as the body part, it
vibrates and vibrates and vibrates until the body lets it go,” explains
Warburton (pictured here), a licensed massage
therapist and sound therapist who has started conducting sessions at
the Integrative Care Center.
Holistic sound, she
continues, is a non-invasive blend of healing modalities using sound,
music and frequency to restore balance and harmony to the physical,
mental and emotional bodies.
For the sound
therapy group session, Warburton sat for a bit surrounded by the tools
of her trade – bowls of metal and crystal, flutes, and a Freenote
xylophone that operates on the pentatonic scale so there’s
no wrong note. During the session, she walks quietly and slowly among
the women, often standing before each to create various sounds ranging
from high-pitched to lower and more primal. Periodically, she offers
soft words encouraging the journey.
The goal is to release tension and even pain, balance the body’s energy and calm the spirit.
“Sound just does it.
You can go so deep in a short amount of time,” she says simply. “Take
the didgeridoo. It stills the thoughts and when your thoughts come back,
it’s connecting you to your feelings. You
feel more grounded. And, as it’s grounding you, it’s taking you out of
your body at the same time.”
Different sounds
speak to different parts of the body because of their frequency. If she
knocks a tuning fork against the palm of her hand, for example, she can
place it on joints, muscles and various acupuncture
points to render relief from aches. It worked for Roxanne Lucas of
Providence, who has neuropathy in both of her feet. Placing the
vibrating tuning fork on the joints in each foot brought her instant
relief. Minutes later, Gerhardt was experiencing the same
relief when the tuning fork was placed on her wrist, which requires a
brace for the effects of her Lyme Disease.
“I can feel it tingling down in all of my fingers. That’s great!” she exclaims.
Warburton smiles as she works on helping people understand the healing powers of sound.
“All matter has a
resonant frequency it will vibrate at, including the bones, organs and
other parts of the body. When you can find that frequency, you can
release trauma from the body,” Warburton explains.
“One tuning fork has the same resonant frequency as nitric oxide, and
therefore stimulates the relaxation response, increasing oxygen flow,
activating the parasympathetic system, and decreasing pain, stress and
anxiety.”
In addition to the
group sessions, Warburton also offers private sessions at the
Integrative Care Center, using a combination of tuning forks, massage
and craniosacral therapy. The results are “incredibly
relaxing” and can help to increase range of motion while decreasing
inflammation in the client. She also visits with women hospitalized with
cancer at Women & Infants to help ease their discomfort.
Late Night Update From Amsterdam
I started off the day today doing a sound healing meditation for Jane and Paul's Course in Miracles group at their home. After that I took a train in to Amsterdam to meet a friend at the Van Gogh Museum. Afterward we saw this guy sitting in the park playing the didgeridoo. He was a good player and it was such a nice grounding sound after the museum experience.
Yesterday Jane and I visited the Royal Delft Museum and factory. It was so wonderful. When I was about 6 years old a friend of my mother's gave me a small blue and white ceramic windmill. I loved it and my mother told me then about Delft and the famous white and blue pottery. I was a potter for many years myself before I became a sound healer so it was somewhere I have always wanted to go. I loved it! Lots of the structure itself is actually made from building ceramics with beautiful earthy glazes of browns and greens.
Who is Tingsha Bobo?
Tingsha Bobo has been a rare but most welcome visitor in my life. I have experienced the gift of his wonderful ability to touch people's hearts and tickle their funny bones only twice in my life. The first time was on my 50th birthday several years ago ("several" is more than 3 but probably less than 10, yes?). Last Saturday he reappeared as if by magic while a few family members and I were in the midst of a celebration for my mother's 90th birthday.
I decided to write about him in this blog because sound is one of the vehicles he uses to transport people into his world of magic. His recent visit was quite short- no more than 7 minutes altogether- but during that time he played a small didgeridoo which he pulled out of his knapsack as well as a set of Tibetan tingshas (presumably where he gets his name) and a small rattle. When he appeared at my birthday he brought out a long haunting flute and quickly brought a group of 50 or so people under its spell. Both times he has combined the gifts of music and laughter, two of the best medicines known to man. We also discovered that he has a marvelous voice when he unabashedly serenaded my mother with her favorite birthday song! Anyone who has ever had a birthday in her presence has heard her sing that song. How did he know???
I have been looking on line for a derivation of the word "Bobo" which seems to be a fairly commonly used name for a clown. So far this is the most interesting and seemingly relevant bit of information I have come up with:"Who is Boo-Boo the Fool? A listener wonders if this African-American character has any relation the Puerto Rican fool, Juan Bobo. Martha draws a connection to the Spanish term bobo, meaning “fool,” and its Latin root balbus, meaning “stammerer”. Grant notes that the name Bobo has been extremely common for clowns since at least the 1940s, and the bobo/clown/jester character is prevalent in most all cultural folklores, be they African, South American, or Anglo-European."
So, if anyone were to ask me "Who is Tingsha Bobo?" (which they occasionally do since we have an extra line for him on our phone just in case someone needs to reach him for some laughter and song- hopefully we could call him in through the ethers) from my brief introductions to him my answer would be that he is a clown, a very sweet clown, who uses music as his medium- although I suspect he has some other tricks up his sleeve (or in his knapsack) that have yet to be revealed.
Enjoy!
I decided to write about him in this blog because sound is one of the vehicles he uses to transport people into his world of magic. His recent visit was quite short- no more than 7 minutes altogether- but during that time he played a small didgeridoo which he pulled out of his knapsack as well as a set of Tibetan tingshas (presumably where he gets his name) and a small rattle. When he appeared at my birthday he brought out a long haunting flute and quickly brought a group of 50 or so people under its spell. Both times he has combined the gifts of music and laughter, two of the best medicines known to man. We also discovered that he has a marvelous voice when he unabashedly serenaded my mother with her favorite birthday song! Anyone who has ever had a birthday in her presence has heard her sing that song. How did he know???
I have been looking on line for a derivation of the word "Bobo" which seems to be a fairly commonly used name for a clown. So far this is the most interesting and seemingly relevant bit of information I have come up with:"Who is Boo-Boo the Fool? A listener wonders if this African-American character has any relation the Puerto Rican fool, Juan Bobo. Martha draws a connection to the Spanish term bobo, meaning “fool,” and its Latin root balbus, meaning “stammerer”. Grant notes that the name Bobo has been extremely common for clowns since at least the 1940s, and the bobo/clown/jester character is prevalent in most all cultural folklores, be they African, South American, or Anglo-European."
So, if anyone were to ask me "Who is Tingsha Bobo?" (which they occasionally do since we have an extra line for him on our phone just in case someone needs to reach him for some laughter and song- hopefully we could call him in through the ethers) from my brief introductions to him my answer would be that he is a clown, a very sweet clown, who uses music as his medium- although I suspect he has some other tricks up his sleeve (or in his knapsack) that have yet to be revealed.
Enjoy!