Vibrational Healing With the Sound of Your Voice

We all have two powerful tools for healing- our hands and our voice. This May I will be teaching a workshop in which participants will learn to use their voice for personal transformation and as an application for healing others as well. We will learn toning and overtoning focusing on how to balance the bioenergetic system and do body scans with the voice, learn sacred mantras for transformation and healing and learn Sanskrit seed sounds, "bija mantras", for aligning and balancing the subtle body. We will also learn some simple and beautiful sacred songs and chants from a variety of traditions.

Giving my friend Ine a toning session in Holland, 2012

 This is simple powerful effective work that we can all do. You do not have to be a musician, you do not have to "know how to sing". (The good news is, you already do!)

I am excited to offer this workshop in my home where I have room for 2-4 people to stay. The rest will have to find other accommodations if they are not local. Before I opened my sound healing center in Florida I used to teach workshops out of my home. It was so wonderful during breaks to be able to keep the energy flowing between us all by gathering around the dining room table or outside and sharing food, stories, laughter and music together. Once again I have the perfect environment for this! It's been a while...

I do not have the link set up yet for people to sign up but it will be there soon.

Deep Listening

A very short post today to say that the weekend's workshop went well- 6 people yesterday and 9 today- and it seemed that everyone got something that they felt they could take home with them at the end of the day. Two things I endeavor to share in a workshop- a sense of safety and the presence of joy.

One magic moment- at the end of one of our sound practices, as we were doing some breathing for centering ourselves back in our bodies a train went by. I suggested they listen deeply to the sound of the train with all of its overtones and breathe that sound into their being. It was full of beautiful sounds. Paul said he would never hear a train the same way again. Now he would listen. That was a gift.

1.15.11 Dream Frequencies

Last week I had a most amazing dream. I was at a hot springs- there were actually two springs side by side that each had man-made rectangular entrances that made them look like small pools- about 3' by 8'. But in fact, when you went into the water it opened up underneath into larger underwater pools, big enough that you couldn't see how far they extended. The water was very clear and light blue and ten to twelve feet deep. I was in the water briefly- underwater, looking around- but then realized there were some sea creatures in there that made me nervous so I decided to get out. There were squid, small, about a foot long but they would try to attach themselves to people or suck on them and even though they were actually friendly it creeped me out. Also the people I was with were a little too "new agey" for me so I was being pretty introverted and keeping to myself.

Each "pool" had a cover that could be pulled over the entrance when everyone left for the day and it was getting close to that time. I was sitting on steps going into the pool to the left and I began toning. It was almost like an entrance into an underground chamber only it went into the spring and I was curious how the tones and overtones would resonate into the entrance and in the water. They were getting ready to cover the entrances and in fact they did. I expressed my disappointment and someone remarked "Oh now that we're getting ready to go you're suddenly interested." I said yes, that I was curious how the overtones would sound in the chamber so they opened it back up and let me tone into it. I wondered what it would be like toning into the water and how the resonance in the entrance chamber would affect the surroundings and the sea creatures.

I begin toning again. To the left of me on the bank it is fairly muddy. I am toning and creating strong overtones and as I look around me I see that there is movement in the mud bank that is clearly caused by the overtones. As I continue toning and watching this area a small girl's face begins to emerge from the mud. I go over to her, continuing to tone. She is dead. She looks like she is about 4 years old, a very beautiful face, still covered with mud but her features are visible and her body emerges from the mud revealing the rest of her as I tone. She hasn't been dead for very long. Her body has not begun to decompose. I take her in my arms and as I continue toning I see two men in suits standing a ways off to the right, 12-15 feet away. Clearly they are "bad guys", the men who have killed her, and they move closer, smirking, as the girl begins to come back to life with the sound. They are silently telling me that I cannot beat them at their game. They are each holding an oblong object in one hand- a frequency generator. Nothing but a dark oval shaped object with one red button that fits comfortably in one hand.

I am not afraid of them. I am holding her in my arms and they are now standing over us, still smirking. They each push a button on their frequency generator and it emits a single frequency which I know is intended to kill the little girl once again. She is so beautiful. I am bent over her, holding her close to me, trying to protect her with my body as well as my voice from their sound, overtoning loudly, modulating the pitch trying to find the exact tone that will negate the frequency they are generating. But it doesn't work. She is dead, again, but this time with a beautiful broad smile on her face, a look of total happiness and peace. And I know that they did not win.